![]() Live versions of the song have officially released on the albums Hard Rain in 1976 and Bob Dylan at Budokan in 1979. Live performances Īccording to his official website, Dylan played the song 376 times between 19. 14: More Blood, More Tracks, (with Take 2 included on its single-CD and 2-LP versions). This take and three others are included in the 2018 deluxe edition of The Bootleg Series Vol. The same take was also featured on The Best of Bob Dylan the following year. ![]() The first take of the song, from the same recording session that produced the album track, was released on the soundtrack to the 1996 motion picture Jerry Maguire. A 2021 Guardian article included it on a list of "80 Bob Dylan songs everyone should know". Rolling Stone ranked the song 66th on a list of the "100 Greatest Bob Dylan Songs". He compares Dylan's vision of love to Rainer Maria Rilke's Duino Elegies for being "one in which pain and beauty, romance and faith are inextricable, almost indistinguishable, from one another". In an article accompanying the list, critic Tyler Dunston credits Dylan for bringing out "the beauty and spirituality in pain, highlighting the terror that accompanies the greatest joy". Spectrum Culture included the song on a list of "Bob Dylan's 20 Best Songs of the '70s". They also note that the "excellent bass player Tony Brown", the only other musician on the track, "offers subtle and melodic playing" to accompany Dylan. In their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon note that Dylan's performance "oscillates between intimacy and declamation, and his performance is excellent, including short harmonica playing (in E)". ![]() Attwood describes the story told in the song's lyrics thusly: "He finds her when he is nothing and has nothing or both, she welcomes him in, and he wanders off and loses her, much to his eternal regret". He notes that the same three chords repeat in every line of every verse, which culminates in the redemptive refrain "Come in, she said, I'll give you shelter from the storm". 'Come in,' she said, 'I'll give you shelter from the storm'"ĭylan scholar Tony Attwood calls the song a "complexly woven tale" that is "told around three chords". I came in from the wilderness, a creature void of form When blackness was a virtue, the road was full of mud "'Twas in another lifetime, one of toil and blood The song opens with anachronistic language and Christian symbolism: Yeats, and Trager interpreting it as the narrator "taking stock of himself, the dangerous world around him, and his lost love". ![]() Both Robert Shelton and Oliver Trager describe the song's narrator's mood as "tempest-tossed", with Shelton saying that the song explores a "search for salvation through love" and has similarities to the work of W. Dylan sang, and played guitar and harmonica, accompanied by Tony Brown on bass. It was later anthologized on the compilation album The Essential Bob Dylan in 2000.ĭylan recorded five takes of the song on Septemat A&R Recording in New York City, with the fifth take the one that was included on Blood on the Tracks. " Shelter from the Storm" is a song by Bob Dylan, recorded on September 17, 1974, and released on his 15th studio album, Blood on the Tracks, in 1975. " Lily, Rosemary and the Jack of Hearts"." You're Gonna Make Me Lonesome When You Go".May this be an encouragement to you today, no matter what your storms are. God has a plan and purpose for my life-storms and all-and He will work everything out for good. Jeremiah 29:11 and Romans 8:28 come to mind. Although I don’t have a lot of storms going on in my life right now, it gives me comfort to know that when they arise the Lord will either change my situation (calm the storm) or He’ll change me (calm me). I really liked the song but had never heard it before, so I looked up the lyrics and put them below. Several Sundays ago, a couple at my church performed a song with this title.
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